New York: Boni and Liveright, 1925. First edition. 8vo, 151pp; cloth. With the 1953 ownership signature of poet and translator Lysander Kemp on the front flyleaf. More

(Los Angeles): 1949. Tempera on cardstock paper, approx. 10 X 14 in. Nighttime cityscape depicting images of Los Angeles, with the central image of a streetcar filled with passengers and all around lighted signs (Bond Pants, Follies, Tivoli Theatre, Beer, Parking, Wine, Ice) a lamppost, a telephone booth, and a...... More

New York: Museum of Modern Art Film Library, 1944. Broadside, approx. 7 X 21-1/2 in., printed on one side only. Slim bulletin board poster advertising MoMA's presentation of propaganda films from the Office of War Information, the Office of Strategic Services, the War Department, the U.S. Navy, and the Office..... More

Highlands, North Carolina: Jonathan Williams, 1953. First edition. Oblong 8vo, unpag.; string-tied pages printed on tan laid paper. One of 200 copies printed of Creeley's third book, designed and published as Jargon 8 by Jonathan Williams and printed in Karlsruhe, Germany. One of the least common of Creeley's books, seldom..... More

London: Jacob Tonson, 1682. First Edition. Small 4to, [i-xvi] 28pp; half-title not called for; tightly trimmed; bound in dark crushed morocco gilt. Second state, as usual. Macdonald 16 a ii. More

(New York): Horace Liveright / Institute of Psycho-Analysis, 1928. First American edition. 8vo, 98pp; cloth. Produced from sheets of the U.K. edition published by the Hogarth Press (Woolmer 105) in an edition of just over 1500 copies. More

London: W. Griffin, 1768. First Edition. 8vo, [viii] 74, 1pp; nineteenth-century three-quarter red morocco and marbled boards by J. Larkins. Bound with half-title present. This copy is Scott's first issue, without the "Epi" catchword and the epilogue printed on a single page, with no footnote, and with all other points..... More

(New York): New Directions, (1958). First American edition. 8vo, 255pp; red cloth. This was Isherwood's first novel, a notable flop upon its original publication in 1928. For this edition, Isherwood wrote a new foreword. Inscribed and signed by Isherwood on the front flyleaf for Frances and Howard Warshaw... More

London: R. Dodsley, 1749. First Edition. 8vo, [vi], 86pp; nineteenth-century morocco and marbled boards (by Bradstreet's), t.e.g.; bound without terminal blanks and without publisher's list in rear. Johnson's only play, published in an edition thought to be around 1000 copies. Fleeman 49.2I/1a; Courtney & Smith pp. 24-25. More

New York. 23 original gelatin silver prints, with four autograph postcards singed (one is also a Levitt photograph) and an inscribed publication of the Museum of Modern Art (1985); various sizes and formats. An excellent collection of photos, five of them signed by Levitt on their versos, and others with..... More

New York: Boni and Liveright, 1926. First edition. 8vo, 243pp; yellow cloth stamped in black and blind. The author's first book, a Bleiler-listed fantasy, in which an art student in the Bohemian Paris of the era finds a magic ring. Scarce, especially in jacket. More

New York: Horace Liveright, 1929. First edition. 8vo, 129pp; black cloth. The poet's second book. The jacket features appealing graphic art by Hans Flato. More

New York: Boni and Liveright, 1925. First American edition. 8vo, 218pp; cloth-backed boards. High finance and romance in the Greek islands. The translator was Oscar Wilde's son; the lovely art deco dust jacket design is by Witold Gordon. More