Fielding, Henry

London: A. Millar, 1749. London: A. Millar, 1749. First Edition. Six vols., 8vos, lxii, [2], 214; 324; 370; 312; 294; 304pp; full polished calf gilt. Ownership inscriptions; hinges worn, covers detached on Vols. 1, 2 and 5, with the front endpaper of Vol. 1 also detached; a very good set but for these external flaws. Item #205898

A decent set of Fielding's masterpiece, with all cancels, and errata leaf in Vol. 1. One of only 2000 copies in the first printing, which was almost immediately sold out by subscription before publication, prompting a near simultaneous second printing. The novel is a cornerstone of modern English literature. Price: $5,000.00

Bradbury, Ray

(Los Angeles): 1949. (Los Angeles): 1949. Tempera on cardstock paper, approx. 10 X 14 in. Wear to edges; some flaking of the surface. Item #205718

Nighttime cityscape depicting images of Los Angeles, with the central image of a streetcar filled with passengers and all around lighted signs (Bond Pants, Follies, Tivoli Theatre, Beer, Parking, Wine, Ice) a lamppost, a telephone booth, and a leafy tree. Signed "R. Bradbury - July, 1949" at the bottom. In a 2009 interview with the LA Times, Bradbury recalled his early exposure to art and stated that "painting has been part of my life since I was a child . . . My artwork doesn't inspire my writing, it's my writing that inspires my artwork." The streetcar figures in some of Bradbury's stories, including "The Trolley" in the collection Dandelion Wine. Given the date, however, it is conceivable that this image may have been inspired by a 1947 story Bradbury published in the New Yorker, in which a Mexican immigrant is forced to leave his adopted home of Los Angeles: "On many nights he had walked the silent streets and seen the bright clothes in the windows and bought some of them, and he had seen the jewels and bought some of them for his few lady friends. And he had gone to picture shows five nights a week for a while. Then, also, he had ridden the streetcars—all night some nights—smelling the electricity, his dark eyes moving over the advertisements, feeling the wheels rumble under him, watching the little sleeping houses and big hotels slip by." (Provenance: the estate of LA musician, composer, and longtime UCLA faculty member Theodore Norman, who was given the painting by Bradbury). Price: $15,000.00

Sterne, Laurence

London: 1760-1775. London: 1760-1775. First editions. 24 vols.,16mos; full brown calf by Zaehnsdorf with double gilt fillet borders, gilt spines with floral devices and leather labels; inner dentelles gilt; edges stained yellow. Front cover of vol. 1 detached and spine of same with some wear; generally very nice, bright and intact. Item #205759

Includes: The Life and Opinions of Tristram Shandy, Gentleman (1760-67), 9 vols. with half titles as called for in Vols. 4, 5, 6, and 9; Sterne's signature in ink at the top of the first chapters in Vols. 5, 7, and 9; Vol. 1 with black leaf at E5; Vol. 3 with marbled leaf between L4-5; Vol. 4 with frontispiece after Hogarth; Vol. 7 with errata on verso of title page (first state). A Sentimental Journey (1768), 2 vols. With the half titles and list of subscribers; Sermons of Mr. Yorick (1760-69), 7 vols., with portrait, lists of subscribers in Vols. 1, 3, and 4; Letters to his Most Intimate Friends (1775), 3 vols., with frontispiece and half-title in Vol. 1; Letters to his Friends on Various Occasions (1775), 1 vol.; Letters from Eliza to Yorick (1775), 1 vol. with half-title; Letters from Yorick to Eliza (1775), 1 vol. Price: $10,000.00

Apollinaire, Guillaume

Paris: Gallimard, 1944. Paris: Gallimard, 1944. Small 8vo, 169pp; decorated boards. Spine sunned very slightly; fine original glassine, which a couple of small tears. Item #206090

An unusually fine wartime edition, one of 1000 stamp-numbered copies out of a total edition of 1040. The three-color binding is after a design by Paul Bonet. A handsome edition of Apollinaire's first major collection that first appeared in 1913. Price: $200.00

Levitt, Helen

New York. New York. 23 original gelatin silver prints, with four autograph postcards singed (one is also a Levitt photograph) and an inscribed publication of the Museum of Modern Art (1985); various sizes and formats. One print wrinkled; two have been mounted on stiff board; another mounted on stiff paper backing; one print with remnants of glue on verso from having once been mounted; corners of a pair of prints with tiny abrasions where they were once taped. Item #205446

An excellent collection of photos, five of them signed by Levitt on their versos, and others with neat pencil annotations in her hand, and one with her studio stamp. From the collection of Edna Ocko Meyers and her husband Sidney Meyers (1906-1969), who were close friends and sometime collaborators with Levitt. A multitalented polymath, Sidney Meyers is best known as a film editor and director. His 1949 documentary "The Quiet One", which was nominated for an academy award, was done together with screenwriter James Agee and Levitt as cinematographer. Levitt remained on close terms with Meyers and his wife and was a frequent guest at their upper west side Manhattan apartment. The photographs were most likely printed by Levitt between the 1960s and 1980s. The images range from some very well known pieces from her major publication (also with Agee) A Way of Seeing, focusing on Harlem street life, as well as some her of her Mexico work. Three of the photos are exhibition prints on 11 X 14 inch sheets, signed and dated by Levitt on the backs; others are smaller format, some being informal working prints. The postcards were written, signed and mailed by Levitt to Edna Meyers as well her son Nick; the MoMA ephemeron is a schedule from the museum's film department that included screenings of "The Quiet One" as well as Meyers's groundbreaking 1961 film "The Savage Eye", which Levitt also worked on. An outstanding collection.