(München: Julius Schroeder Verlag, 1922). Goldschmidt, Bruno. Vellum. 4to, [91]pp; 4to, original full vellum gilt; t.e.g. One of 100 numbered copies (out of the total edition of 250) signed by the artist at the colophon, and with each of his prints initialed in pencil. More
![Item #203317 A Letter in Praise of Verona [1489]; In the original Latin text with an English...](https://locussolusrarebooks.cdn.bibliopolis.com/pictures/203317.jpg?width=320&height=427&fit=bounds&auto=webp&v=1692834515)
Verona: (Officina Bodoni), 1974. Vellum-backed boards. Small 4to, 55pp; original vellum-backed boards, t.e.g. One of 150 numbered copies on handmade paper. More
Austin: W. Thomas Taylor, 1983. First edition. Half leather. 8vo, 99pp; original half-leather and paste-paper boards. One of 325 numbered copies (25 hors commerce) signed by Duncan. Original prospectus laid in. More
Cummington, Massachusetts: The Cummington Press, (1949). First edition. Wraps. 12mo, 42pp; original unprinted laid-paper wrappers with printed spine label. One of 250 copies, the entire edition, handprinted by Harry Duncan and Wightman Williams, one of the less common of Cummington publications. More
Cummington, Massachusetts: The Cummington Press, 1945. First edition. Wraps. 8vo, unpag.; original wrappers and printed wraparound label. One of 330 copies, the entire edition. More
Wien: Larisch Pflegestätte für Schrift u. Buchgestaltung, 1925. Ramsauer, Hertha. First edition. Wraps. 8vo, unpag.; original handmade paper wrappers, gilt endleaves, saddle-stitched. One of an unspecified but certainly small number of copies reproduced in high-quality facsimile on fine Whatman paper from original calligraphic manuscript by Hertha Ramsauer. Text printed in..... More
Wien/Leipzig: Anstalt "Secession" (A. Berger)/Verlag Karl Fromme, 1925. First edition. Wraps. Squarish 8vo, [18]pp, printed wrappers, saddle-stitched. One of 500 copies (of which fifty were printed on Edelpapier), lithographed from original calligraphy by Hertha Ramsauer, this copy has been briefly inscribed and signed by Larisch near the top of the..... More
[Montagnola: Officina Bodoni, 1923]. Vellum. 4to, 38pp; full white vellum. One of 222 copies, the entire edition. A nice example of the early work of the press, this copy belonged to John Ryder, a leading collector of Officina Bodoni books in England, and a director at the Bodley Head. Infrequently..... More
Cambridge: [Cambridge] University Press, 1909. Two volumes, 4tos, full vellum gilt, t.e.g. A splendid edition, limited to 350 copies, printed by John Clay on handmade paper, with impressive heavy vellum boards decorated in gilt with a large ornamental device of grapevines. According to the colophon, only 300 numbered copies from..... More
(Cummington, Massachusetts): The Cummington Press, 1947. First edition. Boards. Small 8vo, 37pp; original pale blue-green boards printed in black on the spine and with yellow design on front board. One of 92 copies on Beauvais Arches with handcolored initials, out of the total edition of 246 copies. Edelstein A12... More
Cummington, Massachusetts: The Cummington Press, 1950. First edition. Wraps. 12mo, pamphlet in plain laid paper wrapper with printed label. One of 300 copies printed of this single poem, with illustration by Wightman Williams. More
N.P. (Aurora, New York & Cummington, Mass.): The Wells College Press/Cummington Press, 1948. First edition. Cloth. 8vo, 64pp; original slate gray cloth, with printed spine label. One of 310 numbered copies printed on English handmade paper, this being one of 250 in the regular, unsigned, issue. A handsome collaboration between..... More